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	<title>NONESUCH &#8211; Off The Record</title>
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	<title>NONESUCH &#8211; Off The Record</title>
	<link>https://www.offtherecord.com.gr</link>
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	<item>
		<title>Flea &#8211; Honora (2LP)</title>
		<link>https://www.offtherecord.com.gr/product/flea-honora-2lp/</link>
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		<dc:creator><![CDATA[Tasos Samiotis]]></dc:creator>
		<pubDate>Sat, 28 Mar 2026 17:17:17 +0000</pubDate>
				<guid isPermaLink="false">https://www.offtherecord.com.gr/?post_type=product&#038;p=79715</guid>

					<description><![CDATA[After nearly five decades as the iconic bassist of the Red Hot Chili Peppers, Flea delivers his first full-length solo album, Honora—a deeply personal, jazz-driven project that marks a return to his original musical roots: trumpet and improvisation. Named after a beloved family member, Honora blends original compositions with reinterpretations of works by artists such [&#8230;]]]></description>
										<content:encoded><![CDATA[<p data-start="42" data-end="342">After nearly five decades as the iconic bassist of the <span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">Red Hot Chili Peppers</span></span>, <strong><span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">Flea</span></span></strong> delivers his first full-length solo album, <strong><em data-start="217" data-end="225">Honora</em></strong>—a deeply personal, jazz-driven project that marks a return to his original musical roots: trumpet and improvisation.</p>
<p data-start="344" data-end="730">Named after a beloved family member, <em data-start="381" data-end="389">Honora</em> blends original compositions with reinterpretations of works by artists such as <span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">Frank Ocean</span></span> and <span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">George Clinton</span></span>. The album features standout track <strong data-start="585" data-end="605">“Traffic Lights”</strong>, co-written <strong>with <span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">Thom Yorke</span></span></strong>, alongside collaborations with <strong><span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">Nick Cave</span></span></strong>.</p>
<p data-start="732" data-end="1002">Backed by an elite ensemble of modern jazz musicians—including producer and saxophonist Josh Johnson, Jeff Parker, Anna Butterss, and Deantoni Parks—Flea performs on both trumpet and bass, delivering a hypnotic, groove-led sound shaped by decades of musical exploration.</p>
<p data-start="1004" data-end="1150" data-is-last-node="" data-is-only-node=""><em data-start="1004" data-end="1012">Honora</em> is a bold, intimate statement from an artist rediscovering his first love, accompanied by a select international tour in intimate venues.</p>
<p><strong>Tracklist:</strong><br />
1. Golden Wingship<br />
2. A Plea<br />
3. Traffic Lights<br />
4. Frailed<br />
5. Morning Cry<br />
6. Maggot Brain<br />
7. Wichita Lineman<br />
8. Thinkin Bout You<br />
9. Willow Weep for Me<br />
10. Free As I Want to Be</p>
]]></content:encoded>
					
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			</item>
		<item>
		<title>Flea &#8211; Honora (CD)</title>
		<link>https://www.offtherecord.com.gr/product/flea-honora-cd/</link>
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		<dc:creator><![CDATA[Tasos Samiotis]]></dc:creator>
		<pubDate>Sat, 28 Mar 2026 17:15:07 +0000</pubDate>
				<guid isPermaLink="false">https://www.offtherecord.com.gr/?post_type=product&#038;p=79712</guid>

					<description><![CDATA[After nearly five decades as the iconic bassist of the Red Hot Chili Peppers, Flea delivers his first full-length solo album, Honora—a deeply personal, jazz-driven project that marks a return to his original musical roots: trumpet and improvisation. Named after a beloved family member, Honora blends original compositions with reinterpretations of works by artists such [&#8230;]]]></description>
										<content:encoded><![CDATA[<p data-start="42" data-end="342">After nearly five decades as the iconic bassist of the <span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">Red Hot Chili Peppers</span></span>, <strong><span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">Flea</span></span></strong> delivers his first full-length solo album, <strong><em data-start="217" data-end="225">Honora</em></strong>—a deeply personal, jazz-driven project that marks a return to his original musical roots: trumpet and improvisation.</p>
<p data-start="344" data-end="730">Named after a beloved family member, <em data-start="381" data-end="389">Honora</em> blends original compositions with reinterpretations of works by artists such as <span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">Frank Ocean</span></span> and <span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">George Clinton</span></span>. The album features standout track <strong data-start="585" data-end="605">“Traffic Lights”</strong>, co-written <strong>with <span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">Thom Yorke</span></span></strong>, alongside collaborations with <strong><span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">Nick Cave</span></span></strong>.</p>
<p data-start="732" data-end="1002">Backed by an elite ensemble of modern jazz musicians—including producer and saxophonist Josh Johnson, Jeff Parker, Anna Butterss, and Deantoni Parks—Flea performs on both trumpet and bass, delivering a hypnotic, groove-led sound shaped by decades of musical exploration.</p>
<p data-start="1004" data-end="1150" data-is-last-node="" data-is-only-node=""><em data-start="1004" data-end="1012">Honora</em> is a bold, intimate statement from an artist rediscovering his first love, accompanied by a select international tour in intimate venues.</p>
<p><strong>Tracklist:</strong><br />
1. Golden Wingship<br />
2. A Plea<br />
3. Traffic Lights<br />
4. Frailed<br />
5. Morning Cry<br />
6. Maggot Brain<br />
7. Wichita Lineman<br />
8. Thinkin Bout You<br />
9. Willow Weep for Me<br />
10. Free As I Want to Be</p>
]]></content:encoded>
					
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			</item>
		<item>
		<title>The Black Keys &#8211; Attack &#038; Release (2LP)</title>
		<link>https://www.offtherecord.com.gr/product/the-black-keys-attack-release-2lp/</link>
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		<dc:creator><![CDATA[Tasos Samiotis]]></dc:creator>
		<pubDate>Fri, 27 Feb 2026 15:24:31 +0000</pubDate>
				<guid isPermaLink="false">https://www.offtherecord.com.gr/?post_type=product&#038;p=78884</guid>

					<description><![CDATA[Dangerous, deliberate, and dripping with atmosphere, Attack &#38; Release finds The Black Keys stretching their blues-rock muscle into darker, more cinematic territory. Produced by Danger Mouse, this 2008 set trades raw basement grit for brooding textures, haunted grooves, and razor-sharp hooks. From the swampy stomp of “I Got Mine” to the hypnotic pulse of “Strange [&#8230;]]]></description>
										<content:encoded><![CDATA[<p data-start="43" data-end="347">Dangerous, deliberate, and dripping with atmosphere, <em data-start="96" data-end="114">Attack &amp; Release</em> finds <strong data-start="121" data-end="139">The Black Keys</strong> stretching their blues-rock muscle into darker, more cinematic territory. Produced by <strong data-start="226" data-end="242">Danger Mouse</strong>, this 2008 set trades raw basement grit for brooding textures, haunted grooves, and razor-sharp hooks.</p>
<p data-start="349" data-end="737">From the swampy stomp of “I Got Mine” to the hypnotic pulse of “Strange Times” and the aching melancholy of “Psychotic Girl,” Dan Auerbach’s scorched vocals and Patrick Carney’s primal rhythms lock into a lean, focused statement of intent. It’s tighter than their early fuzz-drenched outings, yet richer in mood and ambition — a turning point that paved the way for global breakthrough.</p>
<p data-start="739" data-end="887" data-is-last-node="" data-is-only-node="">Moody, muscular, and effortlessly cool — <em data-start="780" data-end="798">Attack &amp; Release</em> captures The Black Keys on the brink of something bigger. A modern blues-rock essential.</p>
<p data-start="739" data-end="887" data-is-last-node="" data-is-only-node=""><strong>Tracklist:</strong><br />
1. All You Ever Wanted<br />
2. I Got Mine<br />
3. Strange Times<br />
4. Psychotic Girl<br />
5. Lies<br />
6. Remember When (Side A)<br />
7. Remember When (Side B)<br />
8. Same Old Thing<br />
9. So He Won&#8217;t Break<br />
10. Oceans and Streams<br />
11. Things Ain&#8217;t Like They Used To Be</p>
]]></content:encoded>
					
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		<title>Robert Plant &#8211; Saving Grace: All That Glitters… with Suzi Dian (RSD 12&#8243; Vinyl)</title>
		<link>https://www.offtherecord.com.gr/product/robert-plant-saving-grace-all-that-glitters-with-suzi-dian-rsd-12-vinyl/</link>
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		<dc:creator><![CDATA[Tasos Samiotis]]></dc:creator>
		<pubDate>Sun, 15 Feb 2026 16:52:08 +0000</pubDate>
				<guid isPermaLink="false">https://www.offtherecord.com.gr/?post_type=product&#038;p=78611</guid>

					<description><![CDATA[Record Store Day 2026 release. Available for purchase exclusively in-store on Saturday, April 18, subject to timely delivery from the distributor. Price is approximate and may change. Any remaining copies will be available to buy online after the in-store Record Store Day event has ended. Saving Grace: All that Glitters&#8230; is a continuation of Plant&#8217;s [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><span style="color: #808080;"><strong><span style="color: #ff0000;"><span style="color: #000000;">Record Store Day 2026 release.</span> Available for purchase exclusively in-store on Saturday, April 18, subject to timely delivery from the distributor. Price is approximate and may change. Any remaining copies will be available to buy online after the in-store Record Store Day event has ended.</span></strong></span></p>
<p>Saving Grace: All that Glitters&#8230; is a continuation of Plant&#8217;s Saving Grace album and his beautiful collaboration with Suzi Dian and their band. It features four new studio recordings.</p>
<p><strong>Tracklist:</strong><br />
Blackest Crow Traditional*. Arranged by Robert Plant and Saving Grace<br />
Poison by Bert Jansch<br />
Orphan Girl by Gillian Welch<br />
She Cried by Ted Daryll and Greg Richards</p>
]]></content:encoded>
					
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		<item>
		<title>Robert Plant &#8211; Saving Grace (LP)</title>
		<link>https://www.offtherecord.com.gr/product/robert-plant-saving-grace-lp/</link>
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		<dc:creator><![CDATA[Tasos Samiotis]]></dc:creator>
		<pubDate>Wed, 22 Oct 2025 19:58:35 +0000</pubDate>
				<guid isPermaLink="false">https://www.offtherecord.com.gr/?post_type=product&#038;p=75140</guid>

					<description><![CDATA[Robert Plant’s Saving Grace is the first album featuring a new band of distinguished players, which he calls “a song book of the lost and found.” The genesis of Saving Grace began during the lockdown in “The Shire,” when Plant’s customary wandering was all but forbidden. While his recent adventures have centred around Nashville, having [&#8230;]]]></description>
										<content:encoded><![CDATA[<p data-end="867" data-start="205"><strong data-end="221" data-start="205">Robert Plant</strong>’s <em data-end="238" data-start="224">Saving Grace</em> is the first album featuring a new band of distinguished players, which he calls “a song book of the lost and found.” The genesis of <em data-end="386" data-start="372">Saving Grace</em> began during the lockdown in “The Shire,” when Plant’s customary wandering was all but forbidden. While his recent adventures have centred around Nashville, having reunited with <strong data-end="586" data-start="569">Alison Krauss</strong> for 2021’s chart-topping, multi-GRAMMY-nominated <em data-end="652" data-start="636">Raise The Roof</em>, it was in the English countryside that Robert Plant connected closely to this diverse group of musicians, who through their own experiences had a shared lean towards his much-loved corners of evocative song.</p>
<p data-end="1221" data-start="869">Together, Plant and <em data-end="907" data-start="893">Saving Grace</em> &#8211; vocalist <strong data-end="932" data-start="919">Suzi Dian</strong>, drummer <strong data-end="959" data-start="942">Oli Jefferson</strong>, guitarist <strong data-end="986" data-start="971">Tony Kelsey</strong>, banjo and string player <strong data-end="1027" data-start="1012">Matt Worley</strong>, and cellist <strong data-end="1063" data-start="1041">Barney Morse-Brown</strong> -have spent the past six years growing into a wide-ranging workshop of styles and personalities, weaving through time and circumstance with joy and abandon.</p>
<p data-end="1623" data-start="1223">“We laugh a lot, really. I think that suits me. I like laughing,” Plant says. “You know, I can&#8217;t find any reason to be too serious about anything. I&#8217;m not jaded. The sweetness of the whole thing… These are sweet people and they are playing out all the stuff that they could never get out before. They have become unique stylists and together they seem to have landed in a most interesting place.”</p>
<p data-end="2311" data-start="1625">Following his previous acclaimed releases on Nonesuch Records – 2014’s <em data-end="1733" data-start="1700">lullaby and… The Ceaseless Roar</em> and 2017’s <em data-end="1757" data-start="1745">Carry Fire</em> – <em data-end="1774" data-start="1760">Saving Grace</em> brings yet another chapter of Robert Plant’s ceaseless roar into the daylight. Produced by Robert Plant and <em data-end="1905" data-start="1891">Saving Grace</em> – and recorded between April 2019 and January 2025 in the Cotswolds and on the Welsh Borders – <em data-end="2015" data-start="2001">Saving Grace</em> breathes fresh life into a collection of century-old music. A treasury of songs featured back in time by <strong data-end="2139" data-start="2121">Memphis Minnie</strong>, <strong data-end="2155" data-start="2141">Bob Mosley</strong> (<strong data-end="2171" data-start="2157">Moby Grape</strong>), <strong data-end="2198" data-start="2174">Blind Willie Johnson</strong>, <strong data-end="2218" data-start="2200">The Low Anthem</strong>, <strong data-end="2238" data-start="2220">Martha Scanlan</strong>, <strong data-end="2257" data-start="2240">Sarah Siskind</strong>, and <strong data-end="2278" data-start="2263">Mimi Parker</strong> and <strong data-end="2300" data-start="2283">Alan Sparhawk</strong>’s <strong data-end="2310" data-start="2303">Low</strong>.</p>
<p><strong>Tracklist:</strong><br />
1. Chevrolet<br />
2. As I Roved Out<br />
3. It S a Beautiful Day Today<br />
4. Soul of a Man<br />
5. Ticket Taker<br />
6. I Never Will Marry<br />
7. Higher Rock<br />
8. Too Far From You<br />
9. Everybody&#8217;s Song<br />
10. Gospel Plough</p>
]]></content:encoded>
					
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		<title>Robert Plant &#8211; Saving Grace (CD)</title>
		<link>https://www.offtherecord.com.gr/product/robert-plant-saving-grace-cd/</link>
					<comments>https://www.offtherecord.com.gr/product/robert-plant-saving-grace-cd/#respond</comments>
		
		<dc:creator><![CDATA[Tasos Samiotis]]></dc:creator>
		<pubDate>Wed, 22 Oct 2025 19:58:04 +0000</pubDate>
				<guid isPermaLink="false">https://www.offtherecord.com.gr/?post_type=product&#038;p=75137</guid>

					<description><![CDATA[Robert Plant’s Saving Grace is the first album featuring a new band of distinguished players, which he calls “a song book of the lost and found.” The genesis of Saving Grace began during the lockdown in “The Shire,” when Plant’s customary wandering was all but forbidden. While his recent adventures have centred around Nashville, having [&#8230;]]]></description>
										<content:encoded><![CDATA[<p data-end="867" data-start="205"><strong data-end="221" data-start="205">Robert Plant</strong>’s <em data-end="238" data-start="224">Saving Grace</em> is the first album featuring a new band of distinguished players, which he calls “a song book of the lost and found.” The genesis of <em data-end="386" data-start="372">Saving Grace</em> began during the lockdown in “The Shire,” when Plant’s customary wandering was all but forbidden. While his recent adventures have centred around Nashville, having reunited with <strong data-end="586" data-start="569">Alison Krauss</strong> for 2021’s chart-topping, multi-GRAMMY-nominated <em data-end="652" data-start="636">Raise The Roof</em>, it was in the English countryside that Robert Plant connected closely to this diverse group of musicians, who through their own experiences had a shared lean towards his much-loved corners of evocative song.</p>
<p data-end="1221" data-start="869">Together, Plant and <em data-end="907" data-start="893">Saving Grace</em> &#8211; vocalist <strong data-end="932" data-start="919">Suzi Dian</strong>, drummer <strong data-end="959" data-start="942">Oli Jefferson</strong>, guitarist <strong data-end="986" data-start="971">Tony Kelsey</strong>, banjo and string player <strong data-end="1027" data-start="1012">Matt Worley</strong>, and cellist <strong data-end="1063" data-start="1041">Barney Morse-Brown</strong> -have spent the past six years growing into a wide-ranging workshop of styles and personalities, weaving through time and circumstance with joy and abandon.</p>
<p data-end="1623" data-start="1223">“We laugh a lot, really. I think that suits me. I like laughing,” Plant says. “You know, I can&#8217;t find any reason to be too serious about anything. I&#8217;m not jaded. The sweetness of the whole thing… These are sweet people and they are playing out all the stuff that they could never get out before. They have become unique stylists and together they seem to have landed in a most interesting place.”</p>
<p data-end="2311" data-start="1625">Following his previous acclaimed releases on Nonesuch Records – 2014’s <em data-end="1733" data-start="1700">lullaby and… The Ceaseless Roar</em> and 2017’s <em data-end="1757" data-start="1745">Carry Fire</em> – <em data-end="1774" data-start="1760">Saving Grace</em> brings yet another chapter of Robert Plant’s ceaseless roar into the daylight. Produced by Robert Plant and <em data-end="1905" data-start="1891">Saving Grace</em> – and recorded between April 2019 and January 2025 in the Cotswolds and on the Welsh Borders – <em data-end="2015" data-start="2001">Saving Grace</em> breathes fresh life into a collection of century-old music. A treasury of songs featured back in time by <strong data-end="2139" data-start="2121">Memphis Minnie</strong>, <strong data-end="2155" data-start="2141">Bob Mosley</strong> (<strong data-end="2171" data-start="2157">Moby Grape</strong>), <strong data-end="2198" data-start="2174">Blind Willie Johnson</strong>, <strong data-end="2218" data-start="2200">The Low Anthem</strong>, <strong data-end="2238" data-start="2220">Martha Scanlan</strong>, <strong data-end="2257" data-start="2240">Sarah Siskind</strong>, and <strong data-end="2278" data-start="2263">Mimi Parker</strong> and <strong data-end="2300" data-start="2283">Alan Sparhawk</strong>’s <strong data-end="2310" data-start="2303">Low</strong>.</p>
<p><strong>Tracklist:</strong><br />
1. Chevrolet<br />
2. As I Roved Out<br />
3. It S a Beautiful Day Today<br />
4. Soul of a Man<br />
5. Ticket Taker<br />
6. I Never Will Marry<br />
7. Higher Rock<br />
8. Too Far From You<br />
9. Everybody&#8217;s Song<br />
10. Gospel Plough</p>
]]></content:encoded>
					
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		<title>The Black Keys &#8211; Ohio Players: Trophy Edition (2LP)</title>
		<link>https://www.offtherecord.com.gr/product/the-black-keys-ohio-players-trophy-edition-2lp/</link>
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		<dc:creator><![CDATA[Tasos Samiotis]]></dc:creator>
		<pubDate>Fri, 15 Nov 2024 15:41:28 +0000</pubDate>
				<guid isPermaLink="false">https://www.offtherecord.com.gr/?post_type=product&#038;p=65025</guid>

					<description><![CDATA[The Black Keys&#8217; Twelfth Studio Album Ohio Players: Trophy Edition on 2LP. The Album Features Collaborations With Dan “The Automator” Nakamura, Beck, Noel Gallagher, Greg Kurstin, and Others. Includes Four Previously Unreleased Tracks, Alternate Cover and New Album Sequencing. GRAMMY Award-winning rock duo The Black Keys announce the 18-track Ohio Players (Trophy Edition), featuring four previously [&#8230;]]]></description>
										<content:encoded><![CDATA[<div class="col-lg-9 desc-content">
<h3>The Black Keys&#8217; Twelfth Studio Album <em>Ohio Players: Trophy Edition</em> on 2LP. The Album Features Collaborations With Dan “The Automator” Nakamura, Beck, Noel Gallagher, Greg Kurstin, and Others. Includes Four Previously Unreleased Tracks, Alternate Cover and New Album Sequencing.</h3>
<p>GRAMMY Award-winning rock duo The Black Keys announce the 18-track <em>Ohio Players (Trophy Edition)</em>, featuring four previously unreleased tracks. This deluxe edition of the band&#8217;s 12th studio album has an alternate cover and new album sequencing.</p>
<p>Of the album&#8217;s Trophy Edition, The Black Keys shared:</p>
<p><em>&#8220;We held back four of our favorite tracks planning for their release to coincide with our tour of North America. Even though our year got turned upside down, we still needed to deliver these new songs to our fans! These tunes continue the collaborative spirit that you hear throughout Ohio Players including &#8216;Mi Tormenta&#8217; with our extremely talented brother DannyLux, &#8216;I&#8217;m With The Band&#8217; and &#8216;Sin City&#8217; with Beck and just in time for Halloween our collaboration with Greg Cartwright and absolute legend Alice Cooper!&#8221;</em></p>
<p><strong>Side A</strong><br />
1. This Is Nowhere<br />
2. Don’t Let Me Go<br />
3. Beautiful People (Stay High)<br />
4. On The Game</p>
<p><strong>Side B</strong><br />
1. Sin City*<br />
2. Candy And Her Friends (feat. <strong>Lil Noid</strong>)<br />
3. Read Em And Weep<br />
4. I Forgot To Be Your Lover<br />
5. Only Love Matters</p>
<p><strong>Side C</strong><br />
1. Every Time You Leave<br />
2. Mi Tormenta (feat. <strong>DannyLux</strong>)*<br />
3. You’ll Pay<br />
4. Paper Crown (feat. <strong>Beck</strong> and <strong>Juicy J</strong>)</p>
<p><strong>Side D</strong><br />
1. Live Till I Die<br />
2. Stay in Your Grave (feat. <strong>Alice Cooper</strong>)*<br />
3. Please Me (Till I’m Satisfied)<br />
4. Fever Tree<br />
5. I’m With The Band (feat. <strong>Beck</strong>)*</p>
<p>* = Previously unreleased</p>
</div>
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		<title>The Black Keys &#8211; Ohio Players (LP)</title>
		<link>https://www.offtherecord.com.gr/product/the-black-keys-ohio-players-lp/</link>
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		<dc:creator><![CDATA[Tasos Samiotis]]></dc:creator>
		<pubDate>Sat, 16 Mar 2024 07:50:21 +0000</pubDate>
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					<description><![CDATA[The Black Keys kick off the New Year with the release of their new single ‘Beautiful People (Stay High)’. The song arrives alongside the announcement of the multiple-Grammy Award-winning, Akron, Ohio natives’ twelfth studio album, Ohio Players. An extensive international tour will be announced at a later date. Written by The Black Keys’ Dan Auerbach [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><strong>The Black Keys</strong> kick off the New Year with the release of their new single ‘<em>Beautiful People</em> (<em>Stay High</em>)’. The song arrives alongside the announcement of the multiple-Grammy Award-winning, Akron, Ohio natives’ twelfth studio album, <em>Ohio Players</em>. An extensive international tour will be announced at a later date.</p>
<p>Written by The Black Keys’ <strong>Dan Auerbach</strong> and <strong>Patrick Carney</strong> with longtime friends <strong>Dan “The Automator” Nakamura</strong> and <strong>Beck</strong>, the celebratory, joyful ‘<em>Beautiful People</em> (<em>Stay High</em>)’ is one of several songs on the album that feature collaborations between the band and various additional friends and colleagues, including <strong>Noel Gallagher</strong>, <strong>Greg Kurstin</strong>, and others. Speaking on the collaborative nature of the album, <strong>Carney</strong> shares, “We had this epiphany: ‘We can call our friends to help us make music.’ It’s funny because we both write songs with other people – Dan all the time [as a solo artist and producer], me when I&#8217;m producing a record. That’s what we do.”</p>
<p><strong>Auerbach</strong> adds, “No matter who we work with, it never feels like we&#8217;re sacrificing who we are. It only feels like it adds some special flavor. We just expanded that palette with people we wanted to work with. We were there to support them and their ideas, to do whatever we could to see that moment flourish. But when it came time to finish the album, it was just Pat and me. We&#8217;d never worked harder to make a record,” he continues. “It&#8217;s never taken us this long to make an album. We took our time and did it right.”</p>
<p>“What we wanted to accomplish with this record was make something that was fun,” <strong>Carney</strong> says. “And something that most bands 20 years into their career don’t make, which is an approachable, fun record that is also cool.”</p>
<p>While making <em>Ohio Players</em>, a title inspired by the legendary Dayton, OH funk band of the same name, The Black Keys were also DJing dance parties in cities around the world that they called “record hangs”, spinning 45s from their own eclectic and growing collections. <strong><em>Mojo</em></strong> reports, ‘The spirit of those parties infused the album’s DNA. ‘That’s been the fun of it,’ [says] <strong>Auerbach</strong>. ‘Letting go a little bit.’”</p>
<p>1. This Is Nowhere<br />
2. Don&#8217;t Let Me Go<br />
3. Beautiful People (Stay High)<br />
4. On The Game<br />
5. Only Love<br />
6. Candy And Her Friends feat. <strong>Lil Noid</strong><br />
7. I Forgot To Be Your Lover<br />
8. Please Me (Till I&#8217;m Satisfied)<br />
9. You&#8217;ll Pay<br />
10. Paper Crown feat. <strong>Beck</strong> &amp; <strong>Juicy J</strong><br />
11. Live Till I Die<br />
12. Read Em And Weep<br />
13. Fever Tree<br />
14. Everytime You Leave</p>
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		<title>The Black Keys &#8211; Dropout Boogie (CD)</title>
		<link>https://www.offtherecord.com.gr/product/the-black-keys-dropout-boogie-cd/</link>
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		<dc:creator><![CDATA[Administrator]]></dc:creator>
		<pubDate>Fri, 08 Apr 2022 14:03:00 +0000</pubDate>
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					<description><![CDATA[Eleventh Studio Effort Harkens Back to Stripped Down Blues-Rock Roots and features Collaborations with Billy F. Gibbons, Greg Cartwright and Angelo Petraglia! After 10 albums, the last five of which have gone top 10 or better, six Grammy awards, and sold-out tours around the world, The Black Keys are back: The duo, called &#8220;one of [&#8230;]]]></description>
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<h2> 			Eleventh Studio Effort Harkens Back to Stripped Down Blues-Rock Roots and features Collaborations with Billy F. Gibbons, Greg Cartwright and Angelo Petraglia!</h2>
<p> 			After 10 albums, the last five of which have gone top 10 or better, six Grammy awards, and sold-out tours around the world, <strong>The Black Keys</strong> are back: The duo, called &#8220;one of the best rock &#8216;n&#8217; roll bands on the planet&#8221; by <em>Uncut</em>, delivers its eleventh studio album,<em><strong> Dropout Boogie</strong></em>. Ushered in by lead single, &#8220;Wild Child,&#8221; <strong><em>Dropout Boogie</em></strong> features collaborations with Billy F. Gibbons (ZZ Top), Greg Cartwright (Reigning Sound), and Angelo Petraglia (Kings of Leon).&nbsp;<span style="letter-spacing: 0px;">As they have done their entire career, the duo of Dan Auerbach and Patrick Carney wrote all of the material in the studio, and the new album captures a number of first takes that hark back to the stripped-down blues rock of their early days making music together in Akron, Ohio, basements.</span></p>
<p> 			&#8220;That&#8217;s always been the beauty of the thing Pat and I do. It&#8217;s instant,&#8221; Auerbach says. &#8220;We&#8217;ve never really had to work at it. Whenever we&#8217;d get together, we&#8217;d just make music, you know? We didn&#8217;t know what we were going to do, but we&#8217;d just do it and it would sound cool. It&#8217;s the natural chemistry Pat and I have. Being in a band this long is a testament to that. It was a real gift that we were given. I mean, the odds of being plopped down a block-and-a-half from each other in Akron, Ohio – it just seems crazy.&#8221;</p>
<p> 			After hashing out initial ideas as a duo at Auerbach&#8217;s Nashville-based Easy Eye Sound studio, Auerbach and Carney welcomed new collaborators Gibbons, Cartwright, and Petraglia to the <strong><em>Dropout Boogie</em></strong> sessions. Although <strong>The Black Keys</strong> previously co-wrote songs with frequent producer/collaborator Danger Mouse, this is the first time they have invited multiple new contributors to work simultaneously on one of their own albums. Both Cartwright and Petraglia can be heard on &#8220;Wild Child.&#8221;</p>
<p> 			&#8220;Living in Nashville and making records here has opened both of our minds to that experience a little bit more,&#8221; said Auerbach. &#8220;I knew Pat would love working with both of these guys, so we decided we&#8217;d give it a shot. It was the first time we&#8217;d ever really done that. It was fun as hell. We just sat around a table with acoustic guitars and worked out a song ahead of time.&#8221; &#8220;The cool thing with Greg is that he wants to approach stuff with a story in mind – there&#8217;s a plot, almost,&#8221; added Carney.</p>
<p> 			<strong>The Black Keys</strong> had previously jammed with ZZ Top guitar legend Billy F. Gibbons more than a decade ago in Los Angeles, while ZZ Top was working on an album with producer Rick Rubin. &#8220;We never even really wrote one song – we just had some ideas we put down,&#8221; Carney said. &#8220;We really just wanted to hang out with him. We stayed in touch, and Dan invited him to the studio once we started working on this album.&#8221;</p>
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<ol>
<li> 									Wild Child</li>
<li> 									It Ain&#8217;t Over</li>
<li> 									For the Love of Money</li>
<li> 									Your Team Is Looking Good</li>
<li> 									Good Love (feat. Billy F. Gibbons)</li>
<li> 									How Long</li>
<li> 									Burn the Damn Thing Down</li>
<li> 									Happiness</li>
<li> 									Baby I&#8217;m Coming Home</li>
<li> 									Didn&#8217;t I Love You</li>
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		<title>Punch Brothers &#8211; Hell On Church Street (LP)</title>
		<link>https://www.offtherecord.com.gr/product/punch-brothers-hell-on-church-street-lp/</link>
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		<dc:creator><![CDATA[Administrator]]></dc:creator>
		<pubDate>Thu, 20 Jan 2022 11:23:40 +0000</pubDate>
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					<description><![CDATA[Reimagining Of and Homage To the Late Bluegrass Great Tony Rice&#8217;s Landmark Solo Album Church Street Blues! Hell on Church Street&#160;is&#160;Punch Brothers&#8217;&#160;reimagining of, and homage to, the late bluegrass great Tony Rice&#8217;s landmark solo album Church Street Blues. The record features a collection of songs by Bob Dylan, Gordon Lightfoot, Bill Monroe, and others. Recorded [&#8230;]]]></description>
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<h2> 		Reimagining Of and Homage To the Late Bluegrass Great Tony Rice&#8217;s Landmark Solo Album Church Street Blues!</h2>
<p> 		<em><strong>Hell on Church Street</strong>&nbsp;</em>is<em>&nbsp;</em><strong>Punch Brothers&#8217;</strong>&nbsp;reimagining of, and homage to, the late bluegrass great Tony Rice&#8217;s landmark solo album <em>Church Street Blues</em>. The record features a collection of songs by Bob Dylan, Gordon Lightfoot, Bill Monroe, and others. Recorded at Nashville&#8217;s Blackbird Studio in November 2020, during a time of great uncertainty, <strong><em>Hell on Church Street </em></strong>was intended as both its own work of art and a gift to Rice, who died that Christmas. <strong>Punch Brothers</strong> said of Tony Rice and <em>Church Street Blues</em>: &#8220;No record (or musician) has had a greater impact on us, and we felt compelled to cover it in its entirety, with the objective of interacting with it in the same spirit of respect-fueled adventure that Tony brought to each of its pre-existing songs.&#8221;</p>
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<ol>
<li> 								Church Street Blues</li>
<li> 								Cattle in the Cane</li>
<li> 								Streets of London</li>
<li> 								One More Night</li>
<li> 								The Gold Rush</li>
<li> 								Any Old Time</li>
<li> 								Orphan Annie</li>
<li> 								House Carpenter / Jerusalem Ridge</li>
<li> 								Last Thing on My Mind</li>
<li> 								Pride of Man</li>
<li> 								Wreck of the Edmund Fitzgerald</li>
</ol></div>
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