Sure, there are moments where Pearce straps on an acoustic guitar to pluck and strum wistful, meditative passages to complement that vastness, but his use of the most heavily warped setting of distortion and digital echo captured a sound that was immediately identifiable as “Flying Saucer Attack”. Anyone who favours the expansive guitar sounds of psychedelic bands from the ’90’s as divergent as Bardo Pond and Windy and Carl should definitely consider ordering a copy to experience FSA’s timeless, contemplative sound in depth.